Sahir Ludhianvi and Filmi Adab: When Cinema Became Literature 1: Introduction In Urdu literature and Indian film poetry, if one poet successfully combined thought, protest, and aesthetics, it was Sahir Ludhianvi. Sahir transformed film poetry from mere entertainment into a voice of social consciousness, human suffering, and resistance against injustice. For him, a film song was also literature—the only difference was that its audience sat in cinema halls instead of literary gatherings. 2: Intellectual Background Sahir was closely associated with the Progressive Writers’ Movement, which is why protest accompanies romance in his poetry. He strongly criticized war, capitalism, religious hypocrisy, and social inequality. This ideological depth is equally visible in his film lyrics, setting him apart from other lyricists of his time. 3: Concept of Filmi Adab Filmi Adab refers to poetry that reaches the masses through cinema while maintaining literary dignity. Sahir refused to ...
Home Sweet Home , Ghar Pyara Ghar
📖 Description
"Ghar Pyara Ghar" is a heartfelt poem by Afzal Shakeel Sandhu, published in Daily Peghaam on 28 May 1998. The poem reflects deep love for the poet’s hometown Sahiwal, highlighting its cultural richness, peaceful lifestyle, agricultural beauty, and warm-hearted people. It is a poetic tribute to the city that nurtured countless memories, portraying Sahiwal as a symbol of home, comfort, and belonging.
گھر پیارا گھر نظم
افضل شکیل سندھو شاعری
ساہیوال پر نظم
ڈیلی پیغام 1998 شاعری
گھر کی محبت کی شاعری
وطن کی یاد نظم
پنجابی اردو شاعری
ساہیوال کی ثقافت شاعری
گھر کی یاد نظم
کلاسک اردو نظم
Written by: Afzal Shakeel Sandhu